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Sometimes less is a lot more
Two new collections demonstrate why narrative poetry can work better when it's economical with its truths, says ANDY CROFT

For thousands of years it was understood to be the responsibility of poetry to tell stories - public and private, real and imagined. From The Iliad to The Wasteland poets sought to impose a compelling narrative shape on events.

Today, poetry is arguably the least effective way of telling a story. Cinema is better at action, theatre is better at dialogue and novels are better at psychology and plot.

In a world of so many noisy competing narratives, how can poets still tell stories? Or rather, what kind of stories should a poet try to tell? Jokes that pack a punch-line? Fables that pack a punch? Bukowski-like anecdotes? Wild and entertaining inventions?

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