GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
ALTHOUGH separated by a telephone line “Piki” Figueroa’s calm and eloquent yet emotionally charged take on art, politics and the Bolivarian process is utterly compelling.
His band’s name Bituaya is a generic one for the Venezuelan root vegetables “you make soup with,” he tells me and it’s an apt summation of the band’s quest for the ancestral soul of the continent they call by its native name of Abiayala.
The band evolved in the Tiuna el Fuerte (“Fort”) political and cultural collective in the working-class neighbourhood of El Valle in Caracas.
MIGUEL YOSHIDA explains the evolution and influence of the Cuban Casa De Las Americas in joining culture to the revolutionary struggle
GEORGE FOGARTY reflects on the politics expressed at this year’s festival where contradictions abound, but the music kept it real
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger



