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GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
Andrew Oldham - Playing With Crayons
Well Versed is edited by JODY PORTER
MIGUEL YOSHIDA explains the evolution and influence of the Cuban Casa De Las Americas in joining culture to the revolutionary struggle
ANDY HEDGECOCK is charmed by a skilful adaptation of Tove Jansson’s lyrical portrait of three generations of a family, overcoming grief
ALEX HALL treads warily through a messy, dialectical struggle fought in the mundane machinery of driving licences, criminal law, and birth registries
MICHAL BONCZA, FIONA O’CONNOR, JAMES WALSH and ANGUS REID review Atlas of Disappearance, Love Me Tender, Bouchra, and This Tempting Madness
Flitting between myth and the modern world, Medusa is determined to steer clear of human affairs. When her resolve crumbles, the result is petrifying in every sense
Playing With Crayons
Andrew Oldham
You cannot cadge my crayons.
You cannot talk about my crayons.
You cannot look at my crayons.
When I am crayoning you must leave the room.
When I hang my pictures on the fridge,
you cannot use them to make notes:
(1) Not even for phone numbers.
(2) Not even in emergencies.
If I leave the crayons on the table,
you must put them away in the correct order;
even though you do not know what that is.
Whatever I draw you have to recognise what I tell you it is.
When I shove pencils into locks to keep you from whispering to others
you will believe me when I say, ‘You are wrong’.
You will believe in my crayons.
All the colours are yours to look at but only if I say you can.
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