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Recent releases from radical small-scale presses are more in tune with the times than much of the output from the poetry establishment

THE UNEXCITING news that Andrew Motion has won the Ted Hughes prize and James Fenton the PEN Pinter prize and that Simon Armitage has been elected Oxford Professor of Poetry has done little to dispel the impression that the contemporary poetry scene is a small and closed world of mutual self-congratulation.

It’s not that these poets are without merit or distinction. But it all looks a bit predictable, not to say dull.

Meanwhile, a long way from the arts-coverage-by-press-release world of the broadsheets and the BBC, it is left to energetic — and usually unpaid — editors working at independent, provincial presses to keep the doors open for different kinds of voices and experiences.

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