ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
4/5
White Christmas may be as traditional as mince pies and mulled wine but this Nikolai Foster production takes a far from standard approach.
His musical respects the 1954 film starring Bing Crosby but his starting point is the 2004 Broadway production currently being staged in London’s West End.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying



