EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Jeremy Deller's latest art exhibition is not an art exhibition. If that sounds confusing, it is because his new installation English Magic is a collaborative venture produced by people from many different walks of life, among them prisoners and steel band players, craftsmen and video technicians, painters and archaeologists.
All contribute to the finished product while Deller waves his magic wand and makes it happen. It is the opposite of the conventional art show when one man - it usually is a man - signs off his work with a flourish.
"Most artists have help," Deller tells me. "It's not a new thing. I just talk about it more. I have no technical talent from what I can work out, so I need help."
SIMON DUFF is thrilled by a visceral, no-holds-barred exploration of the expressive powers of raw material
KIM CULLEN enjoys the survey of social work and working-class lives to be found in the superb work of British-Jamaican photographer Sandra George
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist



