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Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
The image of subterfuge and extortion
The Heavens, a photographic essay on tax havens, brings to light a secret world of venality and corruption, says John Green
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
The Heavens, by Paolo Woods and Gabriele Galimberti (Dewi Lewis Publishing, £39)
WE’VE all heard of tax havens and how big global corporations circumvent paying taxes. But do we know how they do it and what they look like?
This book takes an innovative approach to the subject, providing a visual reflection of what exactly is involved.
In one sense it is a contradiction, being a large and elaborately produced coffee table art book with evocative, full-colour images on expensive paper.
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