Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
Another World: Losing Our
Children to Islamic State
National Theatre, London SE1
4/5
AFTER months of research and countless interviews, Another World arrives at the National. It’s fresh from the impressive stable of Nicolas Kent and Gillian Slovo who, at the Tricycle theatre in north-west London, gave us Guantanamo and The Riots.
Another significant landmark in Kent’s verbatim tradition, this documentary-style collection of personal accounts and opinions serves to stimulate inquiry into one of the biggest seismic movements of our time — the rise of the so-called Islamic State and its appeal to the young.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
As the US marks 250 years since the Declaration of Independence, the People’s World Editorial Collective argues that the real legacy of 1776 lies not in official celebrations but in centuries of popular struggles to make democracy a reality for all
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth



