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Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
Theatre Review: Doctor Faustus
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
The Swan Theatre
Stratford-upon-Avon
CHRISTOPHER MARLOWE’S play Doctor Faustus presents any modern director with a key problem. How can a contemporary audience, no longer in thrall to religious mythology, take seriously Faustus’s pact with the devil and his minister Mephistophilis, trading his immortal soul for 24 years of gratification of his every desire?
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