JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
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Mesmerising theatre from Glasgow’s innovators
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
EWAN CAMERON witnesses a political farce that lacks a clear message
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
Interiors
Royal Lyceum Theatre
Edinburgh International Festival
4/5
Scotland’s innovative Vanishing Point Theatre Company, directed by its founder Matthew Lenton, never fails to challenge the nature of traditional theatre.
Interiors could have been entitled The Sound of Silence. It disposes with dialogue, or at least any dialogue its audience hear.
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