EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
THE first woman to achieve the rank of inspector in the Indian Police Service investigates the discovery of a frozen corpse in the Himalayan foothills, in The Lost Man Of Bombay by Vaseem Khan (Hodder, £16.99).
It’s 1950, and it would be an understatement to say that the idea of a female inspector is not universally popular. Persis Wadia tends to get those cases which are either unlikely to be solved or potentially embarrassing to the powerful — or both. She is, however, an ambitious young officer, unwilling to allow old-fashioned prejudices to stop her building her career.
This traditional-style mystery, complete with red herrings and missed clues, is as atmospheric as you would hope, presenting an arresting and elucidating picture of early post-independence India, as the ideals of revolution bump up against home-grown reaction and the retarding legacy of imperialism.
Monster profits on the Tube, paternal dilemmas for time travellers, and an alien abduction buddy saga
Conman conned in a twisty thriller, blind trust tested to the limit, cunning murder methods, and tip-top police procedural
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?



