EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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A tale based on magic that lacks… magic
Unfortunately this seasonal family show will not add to the company’s past triumphs, writes GORDON PARSONS
A magnificent, life-sized puppet, seems to offer hope
[Manuel Harlan]
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
The Magician’s Elephant
The Royal Shakespeare Theatre
Stratford-upon-Avon
FOR their first live main house Stratford theatre production in 18 months and with Christmas coming up, the RSC needed another Matilda-type smash hit.
To decide on a stage adaptation of US prize-winning children’s author, Kate DiCamillo’s fable about a boy’s search for a lost sister aided by an elephant, already earmarked for a Netflix animated film, must have seemed a cert.
Oddly, for a tale based on magic, that is what this show lacks.
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