EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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‘Poems are empathy machines’
CHRISTINA THATCHER believes poetry can carry an emotional charge that deepens awareness and comprehension of issues like climate change
POETIC EVOCATION: A Dodo (Raphus cucullatus) carried by Extinction Rebellion protesters past the Science Museum in London
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
I DISCOVERED Ellen Bass’s poem, Birdsong from My Patio, during the first British lockdown.
My garden hedge was stuffed with sparrows who seemed to always be singing. I expected to see and hear them in this poem too and, at first, I did: “I’ve never heard this much song, trills pure as crystal bells.”
However, images of “acid rain,” “pesticides,” “contaminated insects” and “thin-shelled eggs” moved swiftly in.
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