EWAN CAMERON witnesses a political farce that lacks a clear message
An epic three hour marathon
Max Cooper and Unspoken Words sleeve design
[Cooper photo: JTs/Creative Commons]
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
Max Cooper
The Roundhouse
AN ambient murmur can be heard from inside the Roundhouse’s colosseum-esque interior — complete with its frustrating pillars that support its roof and do a great job of getting in the way.
Of course, the atmospheric rumblings means Max Cooper has just started his set — what will be an epic three-hour marathon — showcasing not just his impressive latest release Unspoken Words but past favourites and a decidedly clubby techno mix.
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