EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
THE HEATHENS by Ace Atkins (Corsair, £9.99) is the latest in the series about Sheriff Quinn Colson, whose bailiwick is a rural county in Mississippi. When a local white women is murdered, opinion in town is that her rumbustious teenage daughter did it, possibly in cahoots with her boyfriend, who is not only a petty villain, but black as well.
The young couple go on the lam in a series of stolen cars, leaving the sheriff, who’s pretty sure they’re not guilty, to catch them before they manage to get themselves killed.
Brutal, shocking, suspenseful and funny, there’s always a whiff of the freak show about these books, with almost every character being a grotesque or an eccentric, living in a land that seems to be 200 years behind the rest of the world.
Monster profits on the Tube, paternal dilemmas for time travellers, and an alien abduction buddy saga
Conman conned in a twisty thriller, blind trust tested to the limit, cunning murder methods, and tip-top police procedural
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
We are experiencing a wave of organised, often deadly violence targeting migrants from other parts of Africa — but the poorest South Africans reject this hatred, staying true to the spirit of Ubuntu and Pan-African unity, reports NIGEL BRANKEN



