JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
Comus
Sam Wanamaker Playhouse, London SE1
4/5
“MILTON thou shouldst be living at this hour.” But the author of the 1634 Comus, a “masque in honour of chastity,” might not agree with William Wordsworth’s encomium if he could see Lucy Bailey’s treatment of his 1,000-line dramatised lyrical poem, originally presented to celebrate the appointment of the Earl of Bridgewater as Lord President of Wales.
Masques, largely court entertainments distanced from the rough and tumble of the theatre world of the time, were certainly not noted for their comic potential. That’s not the case here.
EWAN CAMERON witnesses a political farce that lacks a clear message
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



