Latest editorial
ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Black
Keith Saha's powerful play tackles the thorny issue of racism in a working-class area of Liverpool, says PAUL FOLEY
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
Black
Contact Theatre, Manchester/Touring
5/5
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GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying