ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
RICHARD BRINSLEY SHERIDAN’S scintillating 1777 satire on the ocean of malicious gossip that apparently engulfed polite society of the time was unfairly described as two or three personal anecdotes “tacked together.”
But, as this production demonstrates, the theatrical triumph which is The School for Scandal is very much in the “tacking.”
Director Andrew Hilton’s Shakespeare at the Tobacco Factory company, in a rare “escape” from the Bard, does not need to labour lines such as “In my day bankers knew their place” or, from a brilliantly modernised epilogue, “In Britain we breed scandal in our air.”
Before Greek myths reached the multiplex, they were weapons of political satire. CALLUM SMITH explores the evidence
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
GEOFF BOTTOMS recommends an inspiring, political and bittersweet account of the munitions factory workers who are the fore-runners of the modern women’s game



