Latest editorial
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Thai dreams and nightmares
ALAN FRANK recommends a hallucinatory trip through a troubled Asian country, and we look at the other films of the week
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
By the Time it Gets Dark (12A)
Directed by Anocha Suwichakornpong
THAI writer-director Anocha Suwichakornpong’s astonishing second feature evocatively interweaves and reinterprets the lives of its key characters to considerable emotive effect, despite her complex and frequently elusive storytelling.
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Angus Reid speaks to JAZZ BHALLA about the genesis of his superb feature debut, Never Had A Chance, in cinemas this weekend
ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club