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JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
Lee Southall and Ady Johnson
by Bob Oram
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
EWAN CAMERON witnesses a political farce that lacks a clear message
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
AFTER seven albums with The Coral, guitarist Lee Southall is now getting back into a new groove with a gentler and more fragile honesty as he sings about personal experiences like becoming a father and moving away from Merseyside to a “hill in west Yorkshire.”
He’s a really talented guitarist and his voice is both achingly pure and as soulful as a veteran country-folk singer.
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