EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Triple 9 (15)
Directed by John Hillcoat
3/5
In this brutal thriller, Australian John Hillcoat’s driving direction carries you fast and furiously over illogical elements and several standard characterisations in Matt Cook’s violence-ridden screenplay.
The setting is Atlanta — which, if anything like the grim city pictured here, is well worth avoiding — where a bunch of crooked cops and former special services soldiers has to try and pull off a near-impossible heist for a ruthless Russian mobster.
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
MARIA DUARTE admires the scale of Christopher Nolan’s adaptation of Homer
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review The Six Billion Dollar Man, Avatar: Fire and Ash, Goodbye June, and Super Elfkins
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club



