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ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Donkeys lead lions again
As the Establishment's spin on the first world war gathers pace, JOHN GREEN looks forward to the revival of a great satire with a radically different view of the conflict
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
When Oh What A Lovely War was premiered at the Theatre Royal in Stratford East in March 1963, it sent its audience wild with approbation.
But at the time many mainstream critics were less than enthusiastic about Joan Littlewood's musical satire on the first world war.
The Guardian noted that "it was as unfair as any powerful cartoon" and The Times wrote that it repeated "the familiar view of the war as a criminally wasteful adventure. A sitting target for anyone who wants to deliver a bludgeoning social criticism without giving offence."
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