The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Why I'm Voting Labour: Ruth Aylett, poet, professor, activist
A Labour government led by Corbyn represents hope for the future
Ruth Aylett
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
I LIVE in Edinburgh, the city of festivals, and am both a poet and a teacher of computing.
As a poet, I see young colleagues with great artistic talent ground down by the impossibility of living on their poetry, combined with precarious employment in dead-end warehouse or call-centre jobs that suck out their creativity.
And how many people really understand that the Edinburgh Fringe runs on an army of super-exploited young people on zero-hours contracts or, worse still, are hired as interns on expenses only? Or that the only substantial housing going up in this city is student flats, while the tenements students move out of are becoming AirBnB rentals?
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RUTH AYLETT has reservations about the political blindness of a new book about AI regulation, that is nevertheless useful
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