ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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What happens when the arts are democratised
GORDON PARSONS applauds a history of the US Federal Theatre Project, that brought political theatre to millions in the US
STUNNING: The arrival of King Duncan and his court at Macbeth's palace in Act I, Scene 2, of the Federal Theatre Project production of Macbeth at the Lafayette Theatre in April 1936
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
The Playbook
James Shapiro
Faber, £20
IF it is to attract the attention of readers other than those interested in plays and playmaking, Shakespeare scholar James Shapiro’s compelling book certainly needs its subtitle, “A Study of Theatre, Democracy and the Making of a Culture War.”
The author, recognising this, prefaces his opening with dictionary definitions of the term “playbook,” including “A set of tactics frequently employed by one engaged in competitive activity.”
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
