The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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After Bataclan
ANGUS REID is astonished by a film of exceptional empathy that addresses a collective trauma
Film of the week
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Paris Memories (15)
Directed by Alice Winocour
THE extraordinary benefit of having a national film culture is that this subtle and powerful medium can be used to process events of national significance for a mass audience and in an artistically satisfying and cathartic way.
But you’ll never have a national film culture until you reserve the majority of your screens for national product. That’s why it doesn’t exist in the UK (just go see what’s playing at your local Omni) but it does exist in France.
Paris Memories (a poor translation of Revoir Paris) is the kind of film that the French can make, and we cannot.
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