MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
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Sacred and profane solace for the soul
Ebullient: Harry Christophers
[Jebulon/Creative Commons]
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
The Sixteen
Kings Place, London N1
IN A series of concerts around Britain over the past seven months The Sixteen, led by their founder and conductor Harry Christophers, have been showcasing and contrasting the works of two great English composers, William Cornysh and Benjamin Britten, who were prolific writers of choral music but whose work was separated by more than four centuries.
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