EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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Poetic justice strikes in the north
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
RARELY has the phrase "poetic justice" had a sweeter or more appropriate application.
Last Friday week, I was on stage at the Bob Crow Education Centre in Doncaster doing a gig for the RMT as part of their summer festival when the news came through that Charles Horton had resigned. Celebrations ensued.
Horton, as long-suffering passengers and railway staff will know, was the boss of Govia Southern, the simultaneously vindictively and totally ineptly run government-backed franchise which Grayling and his minions earmarked to push through the driver-only train legislation so bitterly opposed by the RMT.
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