SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Out of the ashes
JAN WOOLF ponders the images of humanity that emerge from the tormented, destructive process of the Kindertransport survivor Frank Auerbach

Frank Auerbach, The Charcoal Heads
Courtauld Gallery
“I FEEL there is no grander entity than the individual human being... I would like my work to stand for individual experience.”
This statement of Auerbach’s features prominently in his exhibition Charcoal Heads; drawings from the 1950s and ’60s being shown in this combination for the first time. Monumental but deeply human, it is this contradiction that makes them extraordinary.
Down and dirty with charcoal, stuff from burnt trees, trees that could have been from the forests of northern Europe where so much awful stuff happened, he gropes for the essence of a person. Frank Auerbach was sent to England aged seven by his German Jewish parents to save him from the Nazis. This is context!
More from this author

JAN WOOLF relishes a book of poetry that deploys the energy of political struggle, rooted in post-war working class history and culture

JAN WOOLF marvels at a rich brew of steam-punk Victoriana, homosexual scandal, and contemporary reference

JAN WOOLF savours the essays of Hilary Mantel: high calorific brain food that slips down nicely

JAN WOOLF relishes a seasonal offering of peanuts
Similar stories

The playwright and artist reflects on the ways in which reviewing can nourish the creative act

ANGUS REID celebrates the achievement of Frank Auerbach, and the decisive influence of his teacher, David Bomberg

JAN WOOLF revels in a painter of the poetic, whose freshness emulates that of the very young

HENRY BELL steps warily through the collection of a Glaswegian war profiteer to experience his collection of Degas’ remarkable images of working people