JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
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Not painting the full picture
CHRISTINE LINDEY welcomes a film that focuses exclusively on women war artists, but deplores its omission of feminism, political context and Soviet anti-war art
Shirin Nershar in War Paint: Women at War
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
War Paint: Women at War (12A)
Directed by Margy Kinmonth
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