The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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New award boosts working-class song and spoken-word culture
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
REACHING new audiences can be a hard slog for songwriters and spoken word artists, but a new initiative by Communication Workers Union (CWU) and Culture Matters might ease that burden a little.
The new Bread and Roses Songwriting and Spoken Word Award, open to everyone regardless of trade union membership, aims to encourage songwriters and spoken-word performers to write material meaningful to working-class people and communities and to encourage those communities to engage more with songwriting and spoken word.
There's a £100 cash prize for each of the top five entries to be judged by CWU and Culture Matters, with the winners performing at the CWU conference in Bournemouth in April.
More from this author
MIKE QUILL reports on a lively conference in Barnsley that took stock of working-class access to culture and proposed strategies to embed culture within the trade union movement
MIKE QUILLE relishes political theatre at its most entertaining, engaging and effective
MIKE QUILLE is impressed by the rigorous Marxist approach to be found in a new book on the dialectics of art
ADAM THERON-LEE RENSCH talks to Mike Quille about what it is to be a working-class writer in the US and patronising perceptions of class that abound left, right and centre