ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Miners’ strike drama hits the wrong notes
DAVID NICHOLSON is disappointed that an ambitious telling of the strike from a Welsh perspective disregards the collective struggle
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
ODYSSEY ’84
Sherman Theatre, Cardiff
PLAYRIGHT Tim Price’s ambitious retelling of the South Wales miners’ contribution to the heroic but doomed year-long strike against pit closures in the mid-1980s is clever, warm and oddly repulsive in its individualism.
Fresh from his success with his play Nye about Bevan and his creation of the NHS, Price has turned his attention to another labour movement epic, weaving the story of the South Wales miners’ part in the strike based on the Greek tale of Homer’s The Odyssey.
The device works well in parts, showing the journey of Rhodri Meilir’s reluctant striker John O’Donnell from a nervous public speaker to travelling the world collecting money for the strike.
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