SUSAN DARLINGTON relishes an inclusive production of a Dickens classic that makes no bones about the lived reality of the Victorian working class
Going over children’s heads
DAVID NICHOLSON is disappointed by a show that fails to engage its target audience
Mari Fflur as the Wolf and Grace O’Brien in the title role
[Mark Douet]
New releases from The Belair Lip Bombs, Lisa O’Neill, and Sessa
RICHARD MURGATROYD enjoys a readable account of the life and meditations of one of the few Roman emperors with a good reputation
ALEX HALL asks whether intelligence, and stupidity, are the outcomes of poverty and wealth, and cultural norms
BRENT CUTLER is persuaded by a new account of the rise of Christianity, and the fall of the Roman empire
If non-human nature is devoid of value under the capitalist mode of production, this book presents the case for its reintegration, suggests HENRY BELL
Little Red Riding Hood
Sherman Theatre, Cardiff
PUTTING on a Christmas production for 3-6-year-olds is a tough proposition especially when the story is iconic. But Cardiff’s Sherman Theatre has attempted it with director Alice Eklund’s Little Red Riding Hood production.
What is slightly hair-raising for the adults attending is leaving the little ones on mats set out on the floor with the grown-ups sitting behind them on chairs.
It works brilliantly with older children but as anybody who has tried to look after toddlers knows unless the performances are absolutely enthralling a certain amount of chasing around after bored children will ensue.
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PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
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