ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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The long reach of the medieval Islamic workforce
WILL PODMORE is enthralled by the convincing case that guilds of Islamic craftsmen were responsible for the European gothic style
EVOLUTION OF GOTHIC FROM ISLAMIC: Arches of the former mosque, the Cordoba Mezquita, in traditional Islamic style and completed in 971, are incorporated into the Gothic style of the transept of the Main Chapel (1523)
[Daderot/CC]
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
Islamesque: the forgotten craftsmen who built Europe’s medieval monuments
Diana Darke, Hurst, £25
THIS is a wonderful book, fully and colourfully illustrated. Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over 30 years. She describes beautifully hundreds of cathedrals, churches, monasteries, palaces and castles.
She challenges the conventional wisdom that only Rome could be the source of Christian architecture. The accepted idea is that the “Romanesque” style simply emerged between 1000 and 1250 across the whole of Europe, making it the first pan-European architectural style since Imperial Roman.
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