Skip to main content
Gifts from The Morning Star
London Jewish Bakers Union banner

THE LONDON Jewish Bakers Union (LJBU) was established in 1909 with the aim of fighting for better conditions, including an eight-hour day and the abolition of night shifts, and more  pay.

LJBU began life in meetings of refugee bakers held in the Jewish pubs in London’s Black Lion Yard. At the time, most Jewish immigrants absorbed socialist ideas through union activism rather than study of its theory.

[[{"fid":"9875","view_mode":"inlinefull","fields":{"format":"inlinefull","field_file_image_alt_text[und][0][value]":"The reverse of the London Jewish Bakers Union's banner (Pic: Jewish Museum)","field_file_image_title_text[und][0][value]":false},"link_text":null,"type":"media","field_deltas":{"1":{"format":"inlinefull","field_file_image_alt_text[und][0][value]":"The reverse of the London Jewish Bakers Union's banner (Pic: Jewish Museum)","field_file_image_title_text[und][0][value]":false}},"attributes":{"alt":"The reverse of the London Jewish Bakers Union's banner (Pic: Jewish Museum)","class":"media-element file-inlinefull","data-delta":"1"}}]]

Uniquely, the LJBU practised a system of “jobbing” as a response to the depression, which required each member to stay away from work at regular intervals, such as a day a month, when his place would be taken by an unemployed member at the same, regular rates.

The union’s 110th anniversary is this year and in the collection of the Jewish Museum in London, there’s a magnificent LJBU banner painted on silk. A redolent symbol of the trade and the aspirations of its members, it’s one of only two surviving Jewish union banners in Britain.

Bakery owners of the day were ruthless and mercilessly exploited a workforce made up mostly of poor immigrant workers from Russia and eastern Europe. Many worked 27-hour shifts in dangerous conditions, exposed to extreme heat in unsanitary environments.

Unions were legalised in Britain in 1871 but early on many, as well as the Trades Union Congress (TUC), encouraged by the stance of the governments of the day, opposed immigration with the familiar arguments about immigrants taking jobs, undercutting wages and taking over parts of cities.

[[{"fid":"9876","view_mode":"inlinefull","fields":{"format":"inlinefull","field_file_image_alt_text[und][0][value]":"The front of the London Jewish Bakers Union's banner (Pic: Jewish Museum)","field_file_image_title_text[und][0][value]":false},"link_text":null,"type":"media","field_deltas":{"2":{"format":"inlinefull","field_file_image_alt_text[und][0][value]":"The front of the London Jewish Bakers Union's banner (Pic: Jewish Museum)","field_file_image_title_text[und][0][value]":false}},"attributes":{"alt":"The front of the London Jewish Bakers Union's banner (Pic: Jewish Museum)","class":"media-element file-inlinefull","data-delta":"2"}}]]

Consequently, immigrants were excluded from membership with the laughable excuse that they did not speak English. Undeterred, Jewish workers began to unionise and over 200 joined the LJBU after its establishment in 1909 and nearly all of them lived or worked in Stepney. The union was small but powerful as nearly every Jewish baker belonged to it.

In a tactical masterstroke, unionised bakeries demanded bread baked by them displayed the “Baked by Union Labour” label, which guaranteed that it was produced under acceptable working conditions  — an early “fair-trade” symbol.

It is said that after Jewish women shoppers of the East End refused for a number of weeks to take any loaves offered in bakers’ shops or grocery stores that had no such union label the bakery owners caved in, allowing the labelling of breads baked by unionised shops.

The LJBU banner was commissioned in 1925 and produced by Toye & Co Ltd while Michael Prooth was the union’s general secretary. A year later, he was deported to the Soviet Union after spending five months in Pentonville prison for having cut off the power in Kossof’s bakery to prevent work being done during the General Strike — apparently an offence against the Emergency Powers Regulations of the Stanley Baldwin Conservative government.

Even so, the union he headed went on to become the longest enduring Jewish trade union and it operated until 1970.

On one side of the banner the text is in English while Yiddish, the language spoken by most immigrant Jews at the time, adorns the other.

Nowadays it has pride of place at the Jewish Museum, illustrating eloquently the living link with the vibrant Jewish labour movement of London’s East End at the turn of the 19th and 20th centuries.

Visit jewishmuseum.org.uk for more details. 
 

The 95th Anniversary Appeal
Support the Morning Star
You can read five articles for free every month,
but please consider supporting us by becoming a subscriber.
More from this author
MB
Album reviews / 23 June 2025
23 June 2025

New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny

Cartoons: (L to R) Citizen Chicane and Songi
Culture / 23 December 2024
23 December 2024
(L to R) the book cover; Labour Party election poster 1945;
Books / 3 December 2024
3 December 2024
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
Cairokee play Telk Qadeya (That is a Cause)
Gig review / 5 May 2024
5 May 2024
MICHAL BONCZA reviews Cairokee gig at the London Barbican
Similar stories
The crowd at Manchester Punk Festival 2024
Culture / 11 April 2025
11 April 2025
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
RESILIENCE: (Right) Stand Up To Racism protest on October 26
Features / 31 December 2024
31 December 2024
The Morning Star sorts the good eggs from the rotten scoundrels of the year
ARROGANCE AND IGNORANCE: Group of six European men sitting,
Book Review / 24 September 2024
24 September 2024
FRANCOISE VERGES introduces a powerful new book that explores the damage done by colonial theft
(L) Chilean academic and photographer Luis Bustamante; (R) C
Exhibition Review / 11 July 2024
11 July 2024
Co-curator TOM WHITE introduces a father-and-son exhibition of photography documenting the experience and political engagement of Chilean exiles