RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Lockdown blues
SIMON PARSONS welcomes a new play that examines the Covid pandemic through the lens of a disintegrating marriage
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IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Finborough Theatre, London
FOUR years since the Covid lockdown, the memory is still fresh in most people’s minds, but James McDermott’s play is a worthwhile reflection on the scarring impact of the event.
Seen through the eyes of a couple in their sixties, this domestic drama works as a series of brief scenes, almost like a photo album, mapping the disintegration of their long marriage during the months of confinement while external snippets of news remind us of the deadly progress of the virus and the government’s responses.
Anne is an NHS administrative worker and the breadwinner for the household, while Don runs an unprofitable vintage clothing shop, more as a hobby than a business.
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