RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation

THE opening scene in Crooked Plow (Verso, £10.99), Brazilian author Itamar Vieira Junior’s debut novel, serves as a metaphor for the whole book.
In a certain farming community in the north-eastern region of Brazil, there is a violent incident involving a kitchen knife. The incident has a profound impact not only on the people directly affected by it but also on the entire community, which was descended from Afro-Brazilian slaves. For generations, this community of subsistence farmers has been exploited, subjugated and subjected to racial discrimination.
The book, beautifully translated by Johnny Lorenz, delves into the lives of Bibiana and Belonisia, two sisters, along with their family and wider community, living in the floodplains of the imaginary Agua Negra. It is a plantation situated in the region of Bahia, the author’s birthplace, occupied by poor farmers exploited by the Peixoto family.

A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin

LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez

LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro

LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency