Read my lips: Tai Haf Heb Drigolyn (Uninhabited Summer Houses), Rethink Everything
BORN in 1874 in a small Wisconsin town, Lewis W Hine was forced to become the family’s breadwinner when his father died. After a series of poorly paid jobs, he attended night classes to educate himself and was able to obtain a degree in pedagogy before going on to study sociology.
At a school for deprived children, he came into contact with the practical and technical aspects of photography and, encouraged to document its activities, began what became a lifelong commitment and passion for revealing the social and working conditions of the labouring classes in the US.
SUE TURNER is fascinated by a book that researches who the largely immigrant workforce were that built the Empire State
If true, the photo’s history is a damning indictment of the systematic exploitation of non-Western journalists by Western media organisations – a pattern that persists today, posit KATE CANTRELL and ALISON BEDFORD
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation



