KATHRYN JOHNSON recommends the work of Norman Kaplan that was a tool in the struggle against apartheid in South Africa
IT WAS a prime expression of jazz musicians' generosity on the 1968 London scene that, when Ronnie Scott moved to new premises in Frith Street, Soho, from the "old place" in Gerrard Street, he encouraged new bands to use it, responding to the upsurge of brilliant young musicians making their mark on the new music and the genius of the Blue Note exiles from South Africa, shortly to form the Brotherhood of Breath.
Many of this powerful musical generation found their way into the Mike Westbrook band, giving precious opportunity for young virtuosi like saxophonists Mike Osborne, John Surman and George Khan, trombonists Paul Rutherford and Malcolm Griffiths, trumpeter Dave Holdsworth, South African bassist Harry Miller and drummer Alan Jackson.
CHRIS SEARLE wallows in an evening of high class improvised jazz, and recommends upcoming highlights in May
Peter Mitchell's photography reveals a poetic relationship with Leeds



