To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
The fattened-up cow collapsing in the excrement of its own greed
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
STEPHEN MCLAREN’S observations of the City of London during the big 2008 banking crash provide a scathing commentary on a fattened-up cow collapsing in the excrement of its own greed.
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The once beating heart of British journalism was undone by technological change, union battles and Murdoch’s 1986 Wapping coup – leaving London the only major capital without a press club, says TIM GOPSILL
STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright