MARK TURNER is staggered by a gifted jazz pianist from the Welsh Valleys
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A fascinating moment of solidarity
ALEX WHITE reveals the radical side of Maya Angelou in her newly uncovered writing from Egypt and Ghana
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SARAH TROTT explores short fictional slices of life in the American midwest from a middle-aged and mostly female perspective
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BOB NEWLAND recommends an outstanding study of how images have shaped narratives of identity, resistance and power in South Africa
ON August 28 1963, a group of activists gathered opposite the US embassy in the Ghanaian capital of Accra. Inspired by the March on Washington unfolding 5,000 miles away, the protesters carried placards urging the US government to “wipe out racism” and claiming that the US now faced a choice between “civil liberties and civil war.”
In the front row of the demonstration was a face that would later become famous – the American author and poet Maya Angelou.
The Accra march reflected Angelou’s growing engagement with radical politics. Frustrated by American racism and fascinated by African decolonisation, she moved to Egypt in 1961 and then Ghana in 1963. In both countries, she found work as a journalist within the state-controlled media.
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