Born from exclusion and resistance, black British art has carved out creative space to tell untold stories and challenge racism, says ROGER McKENZIE
IN the early 1990s, the Daily Mirror ran a story contrasting the squalid state of Britain’s schools under education secretary John Patten and his department’s swanky new offices in Westminster.
The new lodgings, at Sanctuary Buildings, Great Smith Street, were costing £12 million in rent, and featured an atrium with foliage hanging from the ceiling to the ground floor.
The following day, Richard Garner, the journalist behind the story, received a phone call from a DfE official.
The once beating heart of British journalism was undone by technological change, union battles and Murdoch’s 1986 Wapping coup – leaving London the only major capital without a press club, says TIM GOPSILL
1943-2025: How one man’s unfinished work reveals the lethal lie of ‘colour-blind’ medicine
Charles Lubselski pays tribute to a lifelong communist and supporter of the Daily Worker and Morning Star
Robinson successfully defended his school from closure, fought for the unification of the teaching unions, mentored future trade union leaders and transformed teaching at the Marx Memorial Library, writes JOHN FOSTER



