Danni Perry’s flag display at the Royal Opera House sparked 182 performers to sign a solidarity letter that cancelled the Tel Aviv Tosca production, while Leonardo DiCaprio invests in Tel Aviv hotels, reports LINDA PENTZ GUNTER
2012 to nothing: lions led by donkeys
What has happened since the night of hope and ambition that was the London Olympics opening ceremony, asks PAUL DONOVAN
YANA PETTICREW explains what’s behind the strike and how the entire sector rests on super-exploiting an unorganised workforce
STEPHEN ARNELL casts a critical eye over the sudden rash of challenges to the two-party system on both sides of the Atlantic, noting that today’s performative populist politics sadly lacks Roosevelt’s progressive ‘Bull Moose’ vision of the early 20th century
BILL KIDD MSP says increasing Britain’s nuclear arsenal at this time is dangerous and expensive folly
ROGER McKENZIE asks whether the US’s shift to targeting everyone at once will instil greater co-operation among rising powers
“WHAT a difference eight years makes,” I thought following a recent visit to the London Stadium to report for the Star on the West Ham match with Watford. No fans in the ground, an eerie atmosphere, with the players’ shouts and the journalists’ commentaries the only things breaking the silence.
What a contrast with the opening ceremony of the 2012 London Olympics, which the stadium played host to. It was one of those strange quirks of fate that a rerun of that ceremony was televised on the same night as that football match.
The opening ceremony was a masterpiece from film director Danny Boyle and his team, showing the many different aspects of Britain. There was the history of the industrial revolution, the factory towers reaching up into the night sky, the tribute to the NHS and the Windrush generation.
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PAUL DONOVAN is fascinated by a deep dive into contemporary social crises, that examines how they are manipulated by elites
