The massacre of Red Crescent and civil defence aid workers has elicited little coverage and no condemnation by major powers — this is the age of lawlessness, warns JOE GILL
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‘Here I am, whether you like it or not!’
Louise Raw talks to grime legend and ‘mistress of clashing’ LADY SHOCKER about her east London roots, the energy of the youth circuit and the challenges of being a woman in a male-led industry
Lady Shocker
Public libraries are sanctuaries which facilitate the exploration of the universe of ideas for free for those curious enough. ROGER McKENZIE advocates their protection against authoritarian incursions, US style
Trump’s recent executive order ends union rights for a large number of federal workers, citing national security concerns after some unions vowed to oppose the massive cuts proposed by the new administration, writes PEOPLE’S DISPATCH
JOE BESWICK of the London Renters Union talks to the Morning Star’s new Left on Record programme
The unnecessarily violent police intervention at a Quaker place of worship is a PR disaster and will only serve to deepen the chasm between them and the public. SYMON HILL reports
ANDREW MURRAY wonders whether recent opinion polling and a fresh local authority by-election result in Ilford are an indication that the time is ripe for the left to make inroads
Due to the actions of this government, the challenges facing those with disabilities, such as spinal cord injuries, are nigh on insurmountable, argus RUTH HUNT
LIKE grime music itself, Lady Shocker was born and bred in Bow.
Writing her first lyrics as a schoolgirl and hanging out with renowned Grime MCs like Wiley and God’s Gift, “Shocks” went on to form Female Allstars (FA), grime’s first all-woman “crew.”
Grime was no record company invention, but a real working-class movement “from the streets,” as Shocks puts it.
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