MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
othellomacbeth
Lyric Theatre, Hammersmith
TAKING on any of Shakespeare’s tragedies is a big task and taking on two of them at the same time is positively Herculean.
But here director Jude Christian takes Shakespeare’s Othello and his Macbeth, cuts them mercilessly, and then stitches them together again. Her production starts with a pacey Othello which has shed Iago’s soliloquies, leaving us blind to his complicated motives and leaving us instead with a ruthlessly effective manipulator whose rage bubbles just below the surface.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


