ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
For this (comic) relief, much thanks
GORDON PARSONS is glad to have his mind taken off the election by a perfectly pitched farce
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The Merry Wives of Windsor
The Royal Shakespeare Theatre, Stratford-upon-Avon
SHAKESPEARE is notable for spicing his tragedies with touches of comedy and, conversely, his comedies with tragic grace notes. Right on key with our ongoing election shenanigans, the RST launches arguably the playwright’s only true farce.
Blanche McIntyre knows that the essence of successful farce depends on pace and timing and her perfectly pitched production carries the play’s well-worked content of what were, even for the Bard, old gulling jokes with confident energy.
But even this wouldn’t work without a team of actors who can handle the improbabilities of the plot convincingly.
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
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ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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GORDON PARSONS hails a magnificent performance by a cast who make sure that every word can be heard and understood
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GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight
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GORDON PARSONS relishes a fast moving production of Sheridan’s comic masterpiece
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Transmorphed into a romp in the Caribbean, the play effortlessly wins over the audience, writes GORDON PARSONS