Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Come down the farm
PAUL DONOVAN applauds an adaptation that draws out the contemporary relevance of George Orwell’s satire
animal farm
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Animal Farm
Theatre Royal, Stratford East
THIS excellent adaptation of George Orwell’s iconic book gives a real contemporary feel to proceedings.
The original book, published in 1945, saw Orwell drawing what he saw as lessons from the early years of the Russian revolution. This Tatty Hennessy adaptation centres more on power dynamics, manipulation of group situations and inequality.
In places there is more than a hint of the recent history of the Labour Party, with a popular leader ousted and a manipulative shadowy figure putting his man into the top job. The role of manipulative pig, Squealer (Tom Simper), has certainly been made far more prominent than in the original book. A cross between Peter Mandelson and Uriah Heep.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
