New releases from Black Country, New Road, Anouar Brahem, and Jaywalkers
Chinese contemporary art
SIMON DUFF walks us through a fascinating display that is bold, optimistic and spiritual

Atlas: Harmony in Diversity
Chinese pavilion, Venice Bienale
VENICE, in all its majesty and cultural splendor, is a city that needs a Biennale more than ever. As the population continues to decline and many buildings lie empty a new focus and cultural re-awakening is vital.
The 60th Biennale, entitled Foreigners Everywhere, is designed to showcase art from around the world and runs from April to November in venues across the city. There are many highlights: painting in the Venice pavilion, the extraordinary film and sonic work about the Ukraine war in the Polish exhibition, the ambition of hyper-historical migrant themes in the Spanish Pavilion.
But the work that perhaps best demonstrates the tightrope balancing act of looking both to the past and future is highlighted at the China Pavilion.
More from this author

SIMON DUFF explores the latest offering of the Chinese artist in exile AI WEI WEI

SIMON DUFF immerses himself in the Kings Place D&B soundscape to relish a contemporary string quartet

SIMON DUFF applauds a highly important album from a band who relate their music directly to the war in Gaza

New releases from The The, Memo Comma and Anna Gourari/Orchestra della Svizzera italiana
Similar stories

MARJORIE MAYO recommends an exhibition that asserts Palestinian history, culture and creativity in the face of strategies to erase them

LYNNE WALSH applauds a show of paintings that demonstrates the forward strides made by women over four centuries

HENRY BELL steps warily through the collection of a Glaswegian war profiteer to experience his collection of Degas’ remarkable images of working people

ANGUS REID welcomes the retrospective of a unique photographic artist for its demonstration of new avenues in British art, and the human insight it delivers