WILL STONE fact-checks the colourful life of Ozzy Osbourne
Universal truths in an era of fake news
A play on the arbitrary detention of a journalist resonates beyond its Turkish context, says MAYER WAKEFIELD
Monochrome prisoner: Peter Hamilton Dyer in #WeAreArrested
[Ellie Merridale] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
#WeAreArrested
Arcola Theatre, London
THE FACT that a group of “Free Julian Assange” campaigners was standing outside the Arcola Theatre on a chilly press night served to underline the relevance of the theatre's first collaboration with the Royal Shakespeare Company.
#WeAreArrested is the story of the “truly Kafkaesque” detention of newspaper editor Can Dundar (Peter Hamilton Dyer) at the behest of the Turkish government.
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