Climate activist and writer JANE ROGERS introduces her new collection, Fire-ready, and examines the connection between life and fiction
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BEN LUNN celebrates the beautiful and subversive music of Eddie McGuire
ON SONG: (L to R) On the picket line with fellow composers 1980, a strike to save the Scottish Symphony Orchestra (SSO); Eddie McGuire addresses the STUC
[edwardmcguire.com]
ELEANOR DOBSON reflects on a stark visual record of the violent desecration of Tutankhamun’s mummified remains
RUTH AYLETT appreciates the rich blend of poetry and music that accompanied the launch of the Morning Star’s anthology of poetry, Who We Are
WANJA KIMANI explores the many bonds of community experience expressed in in the bold and colourful imagery of a new mural
New releases from Keeley, Lucinda Williams and Ye Vagabonds
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
YOU can learn a lot about a composer, and a person, simply from the place you first meet them. My first encounter with Eddie McGuire was at a meeting of Radical Options for Scotland and Europe in the Unite offices in Glasgow. Since then, to this day, most of my encounters with the composer have been at a protest or rally rather than in a concert hall.
Shortly after I moved to Scotland, after my years living in Vilnius, I attended a Morning Star event (although I can’t remember for the life of me which) where Keith Stoddart deployed his usual charm and curiosity and quickly discovered I was a composer. His instant response was: “In Scotland you only need to know two composers James MacMillan and Eddie McGuire.”
Two very telling signs about a composer who celebrates his 75th this year.
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