Skip to main content
Advertise with the Morning Star
Tainted with a brush of the West’s disdain
The recently discovered collection of artworks at the Wismut mine from GDR period challenges ‘received wisdom’ about socialist art, writes JOHN GREEN
SUPERIOR: (L to R) Working day of a miner by Frank Ruddigkeit, 1986; Team Leader of Wismut by Dieter Beriech, 1966 [DIK/Andreas Kamper]

THE Wismut mine (the Soviet-German Joint Stock Company Wismut) was set up in 1946 after the war to supply uranium for the Soviet nuclear programme. It became the world’s fourth largest producer of uranium between 1946 and 1990. It was located in Saxony, in the Soviet occupation zone of Germany which, from 1949 onwards, became the territory of the German Democratic Republic (GDR).

As one can imagine, working in this mine was dirty, dangerous and demanded heroic efforts from those who were prepared to work there, although the work was well remunerated. During GDR times, the mine became symbolic for selfless working-class endeavour.

With the launch of the ruling Socialist Unity Party’s new cultural programme The Bitterfeld Path in 1959, artists and writers were encouraged to spend time in factories and workplaces in order to establish a genuine rapport between themselves and workers and to help overcome the gulf between the world of manual labour and that of artistic creation.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
File photo dated 27/03/23 of former prime minister Sir Tony Blair during an interview
Features / 7 October 2025
7 October 2025

JOHN GREEN has doubts about the efficacy of the Freedom of Information Act, once trumpeted by Tony Blair

ghosts
Books / 2 October 2025
2 October 2025

JOHN GREEN is enchanted by the story of women’s farm work, both now and the the 1940s, that brims with political and social insight

malangatana
Book Review / 30 September 2025
30 September 2025

JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist

soul
Film of the week / 28 August 2025
28 August 2025

Despite the primitive means the director was forced to use, this is an incredibly moving film from Gaza and you should see it, urges JOHN GREEN

Similar stories
CONTESTED HISTORY: The Neue Wache (“the New Watchhouse”) was rebuilt by the GDR in 1957 and reopened in 1960 as a Memorial to the Victims of Fascism and Militarism — then, in 1993, it was rededicated to the ‘victims of war and tyranny’
Features / 26 May 2025
26 May 2025

JOHN GREEN observes how Berlin’s transformation from socialist aspiration to imperial nostalgia mirrors Germany’s dangerous trajectory under Chancellor Merz — a BlackRock millionaire and anti-communist preparing for a new war with Russia

PREMONITION OF DISASTER: Anonymous photographer, Fallen Stat
Book Review / 18 March 2025
18 March 2025
NICK WRIGHT delicately unpicks the eloquent writings on art of an intellectual pessimist who wears his Marxism lightly
(L to R) Vincent van Gogh, Bedroom in Arles, 1889; Hew Locke
Culture / 30 December 2024
30 December 2024
From van Gogh to Sonia Boyce, from Hew Locke to Patrick Carpenter and... Pablo Picasso
James Boswell, Two studies of a man with a chain through his
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s